the 3rd athens biennale, 'monodrome', was for me clearly the most interesting so far - also the most curatorially coherent. the choice of main venue -the now disused 'diplareios' school [that used to train students in various crafts] located in the middle of one of the most problematic parts of athens' centre- was both inspired and defining
there was a constant and incredibly fruitful dialogue between the works of art and the building itself, its history -as we know it, as it appears graffittied on its walls, or exhibited in its archives-, the buildings around it, and the views from its windows as one ascended its floors
i therefore chose to concentrate on the building, its surroundings, and the views one sees as one walks along its various rooms
